Chord Map · Famous progressions
Famous chord progressions
A handful of progressions carry most of the songs you know. Hear each one, see where you’ve heard it, learn why it works, then open it in the Chord Map and make it yours.
The pop axis
I–V–vi–IVThe most-used progression in modern pop: bright, hopeful, endlessly loopable.
Heard in: Someone Like You, With or Without You, I'm Yours
The sensitive female chord progression
vi–IV–I–VThe pop axis started on the minor chord: longing turning into hope.
Heard in: Zombie, Numb, Otherside
Pachelbel’s canon
I–V–vi–iii–IV–I–IV–VA stepwise walk down the bass that sounds like a slow-motion memory.
Heard in: Canon in D, Basket Case, Go West
The ’50s progression
I–vi–IV–VDoo-wop’s signature loop: warm, nostalgic, a little innocent.
Heard in: Stand by Me, Every Breath You Take, Earth Angel
Three-chord rock and roll
I–IV–V–IVI, IV and V: the backbone of rock and roll, blues and folk.
Heard in: Twist and Shout, Wild Thing, Bad Moon Rising
Mixolydian rock
I–♭VII–IV–IThe flat seven gives classic rock its swagger: big, open, a little rebellious.
Heard in: Sweet Home Alabama, Sympathy for the Devil, Hey Jude
12-bar blues
I7–I7–I7–I7–IV7–IV7–I7–I7–V7–IV7–I7–V7Twelve bars of dominant sevenths: the form behind blues and early rock.
Heard in: Johnny B. Goode, Hound Dog, Rock Around the Clock
ii–V–I
ii7–V7–Imaj7–Imaj7Jazz’s favourite cadence: tension building step by step, then home.
Heard in: Sunday Morning, Satin Doll, Fly Me to the Moon
The Andalusian cadence
i–VII–VI–VFour chords walking down to the dominant: flamenco fire and dark drama.
Heard in: Hit the Road Jack, Sultans of Swing, Runaway
Aeolian vamp
i–VII–VI–VIIA dark, driving minor loop that never quite resolves.
Heard in: All Along the Watchtower, Stairway to Heaven, Rolling in the Deep
More progressions to try
Also in the Chord Map’s library: open one and build from it.
- Dreamy vampImaj7–IVmaj7Cmaj7 – Fmaj7
- Circle of fifthsvi–ii–V–IAm – Dm – G – C
- The standard turnaroundI–vi–ii–VC – Am – Dm – G
- Epic minori–VI–III–VIIAm – F – C – G
- Minor lamenti–iv–i–vAm – Dm – Am – Em
- The “Creep” progressionI–III–IV–ivG – B – C – Cm
- The epic cadencevi–IV–♭VI–♭VII–IAm – F – A♭ – B♭ – C
- The royal roadIV–V–iii–viF – G – Em – Am
- Nostalgic endingI–IV–iv–IG – C – Cm – G
- Folk swayI–V–IV–VG – D – C – D